Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“There are no good guests when people from Fenglou left, and since then, the rich people are lonely and cover the setting sun.” Chen Baoying, a female actor in the Cantonese opera “Purple Phoenix Tower”, sings the words of Chen Baoying, as if she was crying and complaining, and the audience applause was thunderous. On the evening of September 8, nearly a thousand viewers from the Cantonese Opera and Cultural Plaza in Guangzhou were crowded with people. Everyone was deeply attracted by the concert of the teacher-student Li Yueling, a Cantonese opera singer, held here in Komiks 1960 witch cloth draw. The master of the son-throated teacher Tan Peiyi also visited the audience. Li Yueling and his disciples were also attracted by the concert of teachers and students of the Cantonese opera singer Li Yueling. draws hope to promote the Cantonese opera and Cantonese opera culture with their own voices and promote Lingnan culture.
For this Babaylan 1990 cloth draw performance, Li Yueling and her disciples prepared for half a year. Behind this performance is the cultural confidence flowing in the blood of a Cantonese opera singer and the totem of Guangdong rhyme. This performance is the spiritual agreement between a Cantonese opera singer and a group of ignorant college students who know nothing about Cantonese opera. What kind of story is behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
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Seeking dreams, the origins of the great master
In 2009, Li Yueling, a Guangdong music singer, retired from the Guangdong music music troupe. That year,ref=”https://comicmov.com/”>Komiks 1960 witch cloth drawCantonese Opera and Cantonese Opera Cultural Studio of Sun Yat-sen University Center for Historical Anthropology Research.
The following year, the studio opened a Cantonese opera workshop for college students. Li Yueling and famous performer Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese opera and Cantonese opera and improve their perceptual understanding of Cantonese culture in the study of Cantonese culture. The workshop hopes that more young people can join the ranks of understanding Cantonese opera and Chinese traditional culture.
As soon as the workshop started, it quickly attracted a large group of young people with similar aspirations from major universities. Unlike students majoring in Cantonese opera, almost all of these college students have never been exposed to Cantonese opera, nor have they seen the tutoring score, let alone pronunciation, and the accent Cinema 1950 witch cloth draw rhyme. From voice lifting to music theory, from demonstration to teaching one by one, the two teachers led this group of students to learn from scratch.
The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 17, 2011, the female teacher of Cantonese opera master Hong Line came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students’ singing famous passages such as “FenggeCinema 1950 witch cloth draw” and “Flower Fields’ Wrong Meeting”, but also gave suggestions on improving their words, singing style, and emotions. She also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera and Cantonese opera, inviting workshops Babaylan 1990 clothes draw to perform with Cantonese opera enthusiasts from brother colleges and other schools such as Guangzhou University Quyi Club. This is also the only Cantonese opera special event held so far. This group of students used their superb performances to repay the concern of all sectors of society and sang the dream of spreading and inheritance with Cantonese rhyme.
Continue the dream, continue the relationship between teachers and students outside the schoolCinema 1950 witch cloth draw
Time flies, and in a blink of an eye, students Babaylan 1990 cloth draw graduated and went to society and started working. Unlike students from Cantonese opera or art majors, students in the seminar have left the original learning platform after graduation and have almost no chance to learn Cantonese opera. With the busy work, they slowly put the Cantonese opera learning aside, and they had not sang a song for several months or even a year.
“As the saying goes, ‘The fist is always inseparable from the hand and the mouth’, if this continues, the students will definitely forget what they have learned before.” Every time Li Yueling finished chatting with students, Cinema 1950 witch cloth draw feels moved. She often thought: “How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level?” After thinking about it, Li Yueling decided to use the resources around her to build a Babaylan 1990 cloth draw platform for students to create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first found a few private games to let the students start the game from time to time to practice. Later, Li Yueling wanted to ensure that the students could start the game once a month and achieve the goal of practicing all the time. She went to Beijing Street Cultural Station to find Webmaster Zhao Yuhua and talked to Webmaster Zhao that she was deeply worried about the loss of skills of this group of students. When the webmaster Zhao Yuhua heard that there were such a group of young people who loved Guangdong opera, he was very moved. He immediately arranged for Li Yueling to meet with Chen Jinglin, the head of the Folk Art Troupe of the Guangzhou Cultural Hall of Beijing Street to discuss the students’ practice music.
In order to facilitate everyone to practice music, the Cultural Association has changed the starting time from Monday to Friday and closed on weekends. It has specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students. After Li Yueling implemented the venue for the start of each month, she assigned the task of each student to learn a song, hoping to use pressure to drive the students to take the time to learn the song. Every time the student starts, no matter how busy Li Yueling will come to the scene, listen carefully to each student’s singing, and after listening to them, she will help them analyze and improve word by word.
In addition, LiYue Ling also invited her master, “Zi Du Wang”, to participate in the students’ private affairs. Teacher Tan Peiyi not only shared the creation process of her first famous song “Cai Wenji Returns to Han” with the students, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, which gave the students great encouragement.
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They became the messengers of Cantonese opera and Cantonese opera communication
In addition to teaching students to sing, Li Yueling also paid great attention to tapping students’ potential. For students with artistic talent, she would encourage them to learn Cantonese accompaniment instruments and playing the palm of the board, hoping that after they learn, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with textual skills Komiks 1960 witch cloth draw, she would encourage them to write lyrics. Under her earnest teaching, many students have made breakthroughs, stepped onto different art stages and gained recognition.
Li Yueling often said to her classmates: “I taught you to sing Cantonese opera and turn you into die-hard fans of Cantonese opera. Komiks 1960 witch cloth draw But in terms of inheritance and communication, I hope you can one day take the initiative to shoulder the important task of spreading Cantonese opera culture. Let more people know Cantonese opera and like Cantonese opera.”
Li Yueling’s Cantonese opera students at that timeCinema 1950 witch cloth draw, now some of them have walked on the podium and become teachers. They will combine their own class content and use Cantonese opera as class material at the right time, so that children can accept Cantonese opera subtly. Some people joined the bank and added a special Cantonese opera and Cantonese opera in the bank’s feedback activity, which gave many customers who never entered the theater to come into contact with Cantonese opera for the first time and became enthusiasts…
Under the words and deeds of Teacher Li Yueling, the students consciously took the spread of Cantonese opera as their obligation. They did not have any great deeds, but Cinema 1950 witch cloth draw used ordinary practical actions to sow the seeds of Cantonese opera and Cantonese opera into the hearts of more people.
Realize dreams, they become messengers of love
Li Yueling often says: “We have received strong support from many groups along the way and the help of enthusiastic people. We must learnWill be grateful. In addition to learning Cantonese opera, you can entertain yourself in the Babaylan 1990 clothes draw, I hope you can use what you have learned to bring joy to more people. ”
In recent years, Komiks 1960 witch cloth draw came, and Li Yueling led students Wu Guanxian and Li Yingtong to participate in the Guangdong Foyi inheritance “One Belt One” charity exhibition. Chen Zhongyan and Li Yueling personally led the students to Guangzhou, Foshan and JiangKomiks 1960 witch cloth More than a dozen nursing homes in draw and other places have conducted condolence performances. In addition, they also gave nearly 20 free plays to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera Cantonese opera to enter people’s daily lives, allowing people to feel the charm of traditional culture, and enrich the cultural life of local residents.
Li Yueling is a folk artist who takes the inheritance and communication of Cantonese opera as his responsibility. Li Yueling’s disciples Komiks 1960 witch cloth draw are the successors who make the Cantonese rhyme reverberate in the new era.