Text Babaylan/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“There are no good guests when people from Fenglou left, and since then, the rich people are silent. “Komiks“The setting sun”, Chen Baoying, the female character in the Cantonese opera “Purple Phoenix Tower”, sings the words of Chen Baoying, as if she was crying and complaining, and the audience applauses thunderously. On the evening of September 8, nearly a thousand audiences were crowded with Cantonese Opera Cultural Plaza in Guangzhou Culture Komiks Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, who was being held here. Teacher Tan Peiyi, the master of Zishu, also visited in person. Li Yueling and his disciples hope to promote Cantonese opera and Cantonese opera culture with their own voices and carry forward Lingnan culture.
For this performance, Li Yueling and her disciples prepared for half a year. Behind this performance is the cultural confidence flowing in the blood of a Cantonese singer and the totem of Guangdong rhyme. This performance is the spiritual agreement between a Cantonese music singer and a group of ignorant college students who know nothing about Cantonese music. What is the story behind this performance? Li YueBabaylanLing retreated and continued to carry forward a dream of inheriting the Cantonese rhyme?
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Seeking dreams, and the origin of CUHK
In 2009, Guangdong musical song singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of the Center for Historical Anthropology Research at Sun Yat-sen University was established.
The following year, the studio opened a Cantonese Opera Cantonese Opera workshop for college students. Li Yueling and famous performer Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese Opera and Cantonese Opera and improve their perceptual understanding of studying Cantonese culture. The workshop hopes to have moreYoung people can join the ranks of understanding Cantonese opera and Chinese traditional culture.
As soon as the workshop started, it quickly attracted a large group of young people with similar aspirations from major universities. Unlike students majoring in Cantonese opera, almost all of these college students have never been exposed to Cantonese opera, nor have they seen the sequel score, let alone pronunciation or rhyme. From voice lifting to music theory, from demonstration to teaching one by one, the two teachers led this group of students to learn from scratch.
The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 17, 2011, the female teacher of Cantonese opera master Hong Line came to the teaching site in thunderstorm to communicate with the students in the workshop. BabaylanThe female teacher of the Red Line not only listened to the students’ practice of singing “The Fenge and Revenge of Fengge” and “The Fallen Fields of Flowers”, but also gave suggestions on improving their words, singing style, and emotions, and also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera, inviting workshops and Cantonese opera enthusiasts from brother colleges and universities such as Guangzhou University Quyi Club to perform together. This is also the only Cantonese opera special event held so far. This group of students used their superb performances to repay the concern of all sectors of society and sang the dream of spreading and inheritance with Cantonese rhyme.
Continue your dreams, continue your relationship with teachers and students outside the school.
Time flies, and in a blink of an eye, students graduate and go to society and start work. Unlike students from Cantonese opera or art majors, students in the seminar have left the original learning platform after graduation and have almost no chance to learn Cantonese opera. With the busy work, they slowly put their Cantonese Opera aside, and they had not sang a song for several months or even a year.
“It is said that ‘The fist is always inseparable from the hand and the mouth’. If this continues, the students will definitely forget what they have learned before.” Every time Li Yueling chats with students, she feels moved. She often thought: “How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level?” After thinking about it, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first found a few private games to let the students start the game from time to time to practice. Later, Li Yueling wanted to ensure that the students could start the game once a month and achieve the goal of practicing all the time. She went to Beijing Street Cultural Station to find Webmaster Zhao Yuhua and talked to Webmaster Zhao that she was deeply worried about the loss of skills of this group of students. Webmaster Zhao Yuhua was very moved when he heard that there were such a group of young people who loved Cantonese opera. He immediately arranged for Li Yueling and Bei.=”https://comicmov.com/”>CinemaChief Chen Jinglin from the Folk Art Troupe of the Guangfu Cultural Hall of Jing Street met and negotiated the students’ practice music.
In order to facilitate everyone to practice music, the Cultural Association has changed its opening time from Monday to Friday, and the venue is closed on weekends. It is specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students.
After Li Yueling implemented the venue for the start of each month, she assigned the task of each student to learn a song, hoping to use pressure to drive students to take the time to learn the song. Every time the student starts, no matter how busy Li Yueling will come to the scene, listen carefully to each student’s singing, and after listening to them, she will help them analyze and improve word by word.
In addition, Li Yueling also invited her master “Zi Du Wang” Tan Komiks to participate in the students’ private affairs. Teacher Tan Peiyi not only shared the creation process of her first famous song “Komiks Cai Wenji Return to Han” with the students, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, giving the students great encouragement.
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They transformed into Cantonese opera and Cantonese opera communication messengers
In addition to teaching students to sing, Li Yueling also focused on tapping students’ potential. For students with artistic talent, she will encourage them to learn Cantonese music accompaniment instruments and playing the palm of the board. She hopes that after they have finished learning, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she encourages them to write lyrics. Under her earnest teaching, many students have made breakthroughs, stepped onto different art stages and gained recognition.
Li Yueling often talks to her classmatesCinema said: “I taught you to sing Cantonese opera, and Cinema has turned you into a big fan of Cantonese opera, but in terms of inheritance and communication, I hope you can one day take the initiative to shoulder the important task of spreading Cantonese opera culture. Let more people know Cantonese opera and like Cantonese opera. ”
Li Yueling’s Cantonese students, now some of them have stepped onto the podium and become teachers. They will use Cantonese opera as class material in time to allow children to accept Cantonese opera subtly. Some Cinema joined the bank and added Cantonese opera specialty to the bank’s customer feedback activity. The Babaylan venue has given many customers who never enter the theater to come into contact with Cantonese opera for the first time and become enthusiasts…
Under the words and deeds of Teacher Li Yueling, the students consciously regard the spread of Cantonese opera as their obligation. They have no passionate deeds, but have used ordinary practical actions to sow the seeds of Cantonese opera in the hearts of more people.
Realizing their dreams, they transformed into the messengers of love
Li Yueling often said: “We have received strong support from many groups along the way and the help of enthusiastic people. We must learn to be grateful. In addition to being able to entertain yourself, I hope you can bring joy to more people with what you have learned. ”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the Guangdong Quyi inheritance “One Belt One” charity exhibition. Chen Zhongyan and Li Babaylan Yueling has personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, they also gave nearly 20 free plays to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera and Cantonese opera to enter people’s daily lives, allowing people to feel the charm of traditional culture, and enrich the cultural life of local residents.
CinemaLi Yueling is a music artist who regards the inheritance and spread of Cantonese opera and Cantonese opera as his own Babaylan. Li Yueling’s disciples are the successors who make the Guangdong rhyme reverberate in the new era.