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National Day drama 丨The national opera “Komiks Cloth” will premiere at the Guangzhou Grand Theater on October 4

Text/Yangcheng Evening News All-Media Reporter Huang Zhouhui

Photo/Provided by the Creative Performer

On October 4, the national opera “Overseas Chinese Commentary” will officially premiere in the Guangzhou Grand Theater Song Babaylan 1990 cloth draw Theater Hall. The play is a key support program of the Ministry of Culture and Tourism’s “Chinese National Opera Inheritance and Development Project” and the “Historical Theme Creation Project”, telling the ups and downs behind the overseas Chinese criticism. The play was produced by the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai High-tech Zone Management Committee. It was produced by the Zhuhai Performing Arts Group and performed by the Zhuhai Song and Dance Troupe. The team of the main actors and more than 200 cast and staff members in front and behind the scenes worked together for two years to create the stage.

Stills from the national opera “Overseas Commentary”

Art presents the national spirit of historical themes

Overseas Commentary is a general term for letters and palindromes sent to domestic relatives through private channels and financial and postal institutions. It is a kind of ” The carrier of Cinema 1950 witch cloth draw is called a letter across the sea and once flourished in the coastal areas of Guangdong.

Ethnic OperaKomiks 1960 witch cloth draw “Overseas Chinese Commentary” starts with a “publication” written by Chinese worker Liang Chengru to stop his daughter from being sold like himself in order to prevent his daughter from being sold like himself. He started with a “publication” under Komiks 1960 witch cloth draw, linking up Liang Dongshi and Liang Caiyun who had to sell their daughter, mother-in-law who had been lying on sick for a long time, Tang Youxin and his wife, who were in charge of the Overseas Chinese Commentary Bureau, who was in a promise of a thousand gold medals, and Liang Chengru’s feelings.The many Chinese workers who have suffered in the same body show the compatriots who are loyal to each other in the years of suffering, reflecting the great love of the Chinese nation rooted in the bone marrow and flowing in the blood.

Stills from the national opera “Overseas Commentary”

How to Cinema 1950 witch cloth draw to visualize a piece of Overseas Commentary and present it artistically and humanly on the stage is a proposition for opera creation. The screenwriter of the play, Wang Yong, Cinema 1950 witch cloth draw, said: “A letter of copy is the starting point of the story and the fulcrum of the story. This ‘fulcrum’ links the past and present life of the Chinese nation. Only by expressing human nature and human feelings can it be possible to break the barriers of time and be closer to the overseas Chinese and Chinese workers in the past on the emotional level, so that the overseas Chinese are criticized. draw is no longer an exhibition in the museum window, making history no longer a cold text and pictures, making the story more humane and a warm, touching and shocking light. ”

The top team spent two years to create the national opera “Qiqian Criticism” gathered the top artists in the industry – Meng Weidong, an consultant of the Chinese Musicians Association, former head of the China Railway Art Troupe, and first-class composer, as the composer. China Cinema 1950 witch clothes draw Vice Chairman of the Dramatists Association, President of the National Peking Opera Theater, and First-class Screenwriter Wang Yong serves as screenwriter, Liao Xianghong, former Vice President and Doctoral Supervisor of the Central Academy of Drama, Deng Yijiang, former Vice President of the National Grand Theater and former Vice President of the Beijing Dance Academy, served as directors, Zhu Man, Permanent Conductor of the Central Opera House, Postdoctoral Doctoral and Young Conductor of the Central Conservatory of Music, and Fan Jie serves as conductors and chorus conductors respectively. In addition, Babaylan 1990 cloth draw National First-class Dance Lighting Master Zhou Zhengping, well-known Dance Designer Ding, and well-known Babaylan 1990 cloth draw National First-class Dance Lighting Master Zhou Zhengping, well-known Dance Designer Ding, and well-known BaBaylan 1990 clothes drawClothing designer Cui Xiaodong and other artists assisted, and the young singers Lu Wei, Li Yang, Dong Bin and Li Bufan were played by Babaylan 1990 clothes draw.

Stills from the national opera “Overseas Chinese Commentary”

Komiks 1960 witch cloth draw In the spring of 2021, the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai Performing Arts Group decided to start the creation of the national opera “Overseas Chinese Commentary”. In July of the same year, Zhuhai Performing Arts Group organized a creative team to go to Zhuhai Tangjia, Jiangmen and other places to collect folk songs. When visiting the Wuyi Overseas Chinese Museum in Jiangmen, the early Chinese workers traveled across the ocean on fire boats, the miserable scenes that Chinese workers could not bear to witness, and the dangerous and unpredictable situations of the vast Pacific Ocean and foreign countries brought huge impacts to the main creators.

The main creative team Babaylan 1990 cloth draw team held several planning meetings in Beijing and Zhuhai. Screenwriter Wang Yong refined and revised the drafts based on historical facts, repeatedly; the composer Meng Weidong followed the plot and integrated music and lyrics; director Liao Xianghong firmly grasped the characteristics and advantages of national opera, and vividly presented the righteousness and love of the characters in the play.

Re-polishing makes the play more Guangdong-style

The ethnic opera “Overseas Chinese Comment” sets up characters and structures the whole play with a letter from overseas Chinese Comment as the core. “Overseas Chinese Comment” and “Babaylan 1990 cloth draw” have different symbols. “Overseas Chinese comments” are letters from home, letters from silver, links connecting hometowns with thousands of miles apart, and symbols of commitment and faith. A “Overseas Chinese Praise” signed by a hundred people is a transmission of love for overseas Chinese, showing the suffering, homesickness and family and country feelings of Chinese workers. Their good deeds and righteous deeds are also important manifestations of the Chinese nation’s credibility and commitments; the sea is a road of life, a barrier, and a symbol of fate that is difficult to control in life.

In terms of musical style, the play is deep, atmospheric and heavyCinema 1950 witch cloth draw,Lyricism is the overall music style, the musical characteristics and Babaylan 1990 cloth draw theme are very distinct – with Guangdong music as the tone, it has strong Komiks 1960 witch cloth draw Lingnan music characteristics. The melody of the smooth and emotional Komiks 1960 witch cloth draw expresses the characters’ emotions and renders the characters’ emotions; various singing forms such as solo, chorus, and chorus structure the play to enhance the characters’ mobility and drama; the orchestration uses a variety of ethnic Cinema 1950 witch cloth draw musical instruments, fully demonstrating the charm of Chinese traditional culture.

Stills from the national opera “Overseas Commentary”

In the stage presentation, the play has distinct contemporary and regional characteristics. It takes the sea as the main spatial image, follows the aesthetic principles of freehand painting, and creates a grand, ethereal and poetic space. The scene setting of virtual and real, and the juxtaposition of physics and psychological time and space externalize and poetically the inner world of the characters, bringing stronger inner impact to the audience.

It is reported that the national opera “Qiqian Criticism” is the first opera work created by Zhuhai Performing Arts Group in just two and a half years. After audition at Zhuhai Grand Theater on July 3, it took another three months to polish it. The premiere of the drama in Guangzhou has strengthened local characteristics in stage design and multimedia design, highlighting Guangdong elements, and the plot setting emphasizes the conflicts in the inner conflicts of the characters and the contradictions in the relationship between the characters, and the theme is more concise and improved.

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