Text/Yangcheng Evening News All-Media Reporter Huang Zhouhui
Photo/CreationKomiks 1960 witch cloth drawProvided by the performer
On October 4, the national opera “Overseas Chinese Commentary” will be officially premiered in the Opera Hall of the Guangzhou Grand Theater. The play is a key support program of the National Culture and Tourism Department’s “Chinese National Opera Inheritance and Development Project” and the “Historical Theme Creation Project” of the National Culture and Tourism Department, telling the story of the ups and downs behind the overseas Chinese criticism. The drama was produced by the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai High-tech Zone Management Committee. It was produced by the Zhuhai Performing Arts Group and performed by the Zhuhai Song and Dance Troupe. It was produced by the main creative and leading actor team and more than 200 cast and staff members in front and behind the scenes worked together for two years.
Stills from the national opera “Overseas Commentary”
Art presents historical themesCinema 1950 witch cloth drawNational spirit
Overseas Commentary is a general term for letters and palindroms sent back to domestic relatives through private channels and financial and postal institutions. It is a carrier of “convergence of letters” and is called letters across the sea. It once flourished in the coastal areas of Guangdong.
The national opera “Babaylan 1990 cloth drawOverseas Chinese Commentary” started from the fact that in order to prevent his daughter from being sold like himself, Liang Chengru rushed to his hometown but died at sea. A “blog” left on his deathbed began, linking up Liang Dongshi and Liang Caiyun, who had already sold his daughter, the mother-in-law who had been sick for a long time, Tang Youxin and his wife, and many people who had empathized with Liang Chengru. href=”https://comicmov.com/”>Babaylan 1990 cloth drawHuagong, showThe compatriots who are righteous in the years of suffering reflect the great love of the Chinese nation rooted in the bone marrow and flowing in the blood.
Stills from the national opera “Overseas Commentary”
How to Komiks 1960 witch cloth draw to visualize a piece of Overseas Commentary and present it artistically and humanly on the stage is a proposition for opera creation. The screenwriter of the play Wang Yong said: “A copy is the starting point of the story, and it is also the fulcrum of the story. This ‘fulcrum’ links the past and present of the Chinese nation. Only by expressing human nature and human feelings can it be possible to break the barriers of time and be closer to the overseas Chinese and Chinese workers on the emotional level, so that the “Overseas Praise” is no longer an exhibition in the museum’s windows and history is no longerCinema 1950 witch cloth draw href=”https://comicmov.com/”>Komiks 1960 witch cloth draw is a cold text and pictures that makes the story more humane and become a warm, touching and shocking light. “
The top team spent two years to create the national opera “Qiqian Criticism” gathered top artists in the industry. draw: Meng Weidong, an advisor to the China Musicians Association, former head of the China Railway Art Troupe, and first-class composer, is the composer. Wang Yong, vice chairman of the China Drama Association, president of the National Peking Opera Theater, and first-class screenwriter. Liao Xianghong, former vice president and doctoral supervisor of the Central Academy of Drama, and Deng Yijiang, former vice president of the National Grand Theater and former vice president of the Beijing Dance Academy, serves as directors. Zhu Man, a permanent conductor of the Central Opera House, a postdoctoral fellow at the Central Conservatory of Music, and young conductor Fan Jie, serves as the conductor and chorus conductor of the orchestra respectively. In addition, Zhou Zhengping, a national first-class stage lighting illuminator, and well-known Komiks 1960 witch cloth draw stage designer Ding Ding and Zhi<aKomiks 1960 witch cloth draw stage designer Ding Ding and Zhi<a<aKomiks 1960 witch cloth draw stage designer Ding Ding and href=”https://comicmov.com/”>Babaylan 1990 cloth drawCinema 1950 witch cloth drawCinema 1950 witch cloth drawCourtesy designer Cui Komiks 1960 witch cloth drawXiaodong and other artists assisted by young singers Lu Wei, Li Yang, Dong Bin and Li Bufan.
Stills from the national opera “Overseas Chinese Commentary”
In the spring of 2021, the Propaganda Department of the Communist Party of China and the Zhuhai Performing Arts Group decided to start the creation of the national opera “Overseas Chinese Commentary”. In July of the same year, Zhuhai Performing Arts Group organized a creative team to go to Zhuhai Tangjia, Jiangmen and other places to collect folk songs. When visiting the Wuyi Overseas Chinese Museum in Jiangmen, the early Chinese workers drifted across the ocean on fire boats, the miserable scenes that Chinese workers could not bear to witness, and the dangerous and unpredictable situations of the vast Pacific Ocean and foreign countries, which brought huge impact to the main creators.
The main creative team held several planning meetings in Beijing and Zhuhai. The screenwriter Wang Yong refined and modified the draft based on historical facts, repeatedly; the composer Meng Weidong followed the plot and integrated the music with the lyrics of Babaylan 1990 cloth draw; the director Liao Xianghong firmly grasped the characteristics and advantages of national opera, and made the great sense of the characters in the play. href=”https://comicmov.com/”>Cinema 1950 witch cloth drawLove is vividly presented.
Re-polishing makes the play more Guangdong-style
The ethnic opera “Overseas Chinese Commentary” uses a letter from Babaylan 1990 cloth draw as the core to set up the characters and structure the whole play. “Overseas Chinese Commentary” and “The Sea” have different symbolic meanings. “Overseas Chinese Prosecutor” is a letter of family, a letter of silver, and a link that connects hometown with a foreign land thousands of miles apart.It is a symbol of commitment and faith. A “Overseas Chinese Comment” signed by a hundred people is a transmission of love for overseas Chinese, showing the suffering, homesickness and family and country feelings of Chinese workers. Their good and righteous deeds are also an important manifestation of the Chinese nation’s credibility and commitments; the sea is a road of life, a barrier, and a symbol of fate that is difficult to dominate in life.
In terms of music style, the play is based on deep, atmospheric, heavy and lyrical as its overall music style, with very distinctive musical characteristics and themes – using Guangdong music as the tone, it has strong Lingnan music characteristics. The smooth and emotional melody expresses the emotions of the characters and exaggerates the emotions of the characters; solo, re-sing, and sing together Cinema 1950 witch cloth draw singing structures this drama to enhance the mobility and drama of the characters; the orchestration uses a variety of national instruments to fully demonstrate the charm of Chinese traditional culture.
Stills from the national opera “Qiqian Commentary”
In the stage presentation, the play has distinct era and regional characteristics. It takes the sea as the main spatial image, follows the aesthetic principles of freehand painting, and creates a grand, ethereal and poetic space. The scene setting of virtual and real, physics and the interlacing of psychological time and space are externalized and poetic, bringing the audience a stronger inner shock.
It is reported that the national opera “Qiqian Criticism” is the first opera work created by Zhuhai Performing Arts Group in just two and a half years. After audition at Zhuhai Grand Theater on July 3, it took another three months to polish it. The premiere of the drama in Guangzhou has strengthened local characteristics in stage design and multimedia design, highlighting Guangdong elements, and the plot setting emphasizes the conflicts in the inner conflicts of the characters and the contradictions in the relationship between the characters, and the theme is more concise and improved.